{"id":1558,"date":"2022-12-14T13:44:26","date_gmt":"2022-12-14T12:44:26","guid":{"rendered":"https:\/\/www.mse-kunsthalle.de\/?page_id=1558"},"modified":"2025-07-09T15:58:50","modified_gmt":"2025-07-09T13:58:50","slug":"skulptur","status":"publish","type":"page","link":"https:\/\/www.mse-kunsthalle.de\/en\/skulptur\/","title":{"rendered":"Sculpture"},"content":{"rendered":"

[et_pb_section fb_built=“1″ admin_label=“Seiten Titel“ _builder_version=“4.16″ background_color_gradient_direction=“15deg“ background_image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/11\/IMG_4100-scaled.jpg“ background_position=“bottom_center“ custom_padding=“||184px|||“ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ custom_margin=“288px||0px||false|false“ custom_padding=“22px||20px|||“ global_colors_info=“{}“]<\/p>\n

Sculptures at the mSE Kunsthalle<\/span><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Section Grau“ _builder_version=“4.16″ background_color=“#ffffff“ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ custom_padding=“||1px|||“ global_colors_info=“{}“]Die mSE Kunsthalle legt einen besonderen Schwerpunkt auf die Kunstgattung Skulptur. In unserem Foyer und im Skulpturengarten finden Sie Werke der folgenden K\u00fcnstler:[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.16″ _module_preset=“default“ background_color=“#f4f4f4″ global_colors_info=“{}“][et_pb_row column_structure=“2_5,3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“2_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/11\/6a8ebffe85a34fb3-1.jpg“ title_text=“Lois Anvidalfarei im Atelier“ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_3_font=“||||||||“ header_3_text_color=“#ce1b18″ header_3_font_size=“16px“ custom_margin=“||1px||false|false“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|tablet“ global_colors_info=“{}“]<\/p>\n

Lois Anvidalfarei (b. 1962)<\/h3>\n

The South Tyrolean sculptor is represented with numerous works in the sculpture garden of the mSE Kunsthalle. For over thirty years, all his bronze sculptures have been dedicated to one theme: the human body. In the picture he can be seen in front of the plaster model of his sculpture \"Mediterraneo\", which is exhibited in Unterammergau.<\/p>\n

Website of the artist<\/a><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_divider _builder_version=“4.16″ _module_preset=“default“ custom_margin=“||-21px|||“ custom_padding=“||0px|||“ global_colors_info=“{}“][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“2_5,3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“2_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2022\/12\/Tilla-Ausschnitt.png“ title_text=“TILLA DURIEUX I, 1912, Ernst Barlach“ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_3_font=“||||||||“ header_3_text_color=“#ce1b18″ header_3_font_size=“16px“ custom_margin=“||1px||false|false“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|tablet“ global_colors_info=“{}“]<\/p>\n

Ernst Barlach (1870\u20131938)<\/h3>\n

The collection of the mSE Kunsthalle owns two works by the sculptor: \"The Herb Picker\" from 1894 and the portrait bust \"Tilla Durieux I\" from 1912, which is currently on loan to the Leopold Museum in Vienna. Daniela Gregori has curated an exhibition there about the actress who inspired many great artists of her time to create works of art.\u00a0<\/p>\n

To the exhibition<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_divider _builder_version=“4.16″ _module_preset=“default“ custom_margin=“||-21px|||“ custom_padding=“||0px|||“ global_colors_info=“{}“][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“2_5,3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“2_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2022\/04\/Flesche.png“ title_text=“KIPPENDE KUBEN, 2019, Felix Flesche“ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_3_text_color=“#ce1b18″ header_3_font_size=“16px“ custom_margin=“||1px||false|false“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|tablet“ global_colors_info=“{}“]<\/p>\n

Felix Flesche<\/h3>\n

The artist, who works among other things as a sculptor and graphic artist, presents with the \"Kippende Kuben\" steel objects that can enter into the most diverse contexts, where they are quickly anthropomorphized by the viewer as a counterpart. Most recently, the \"Kippende Kuben\" entered a religious context at the Kunsthalle's \"Passion im Tal\" sculpture walk. Now, as loans in the sculpture garden, they are open to many other ways of access.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_divider _builder_version=“4.16″ _module_preset=“default“ custom_margin=“||-21px|||“ custom_padding=“||0px|||“ global_colors_info=“{}“][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“2_5,3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“2_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2023\/01\/Polzin-Ausschnitt.png“ title_text=“REQUIEM – HOMMAGE A GY\u00d6RGY KURTAG, 2011, Alexander Polzin“ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_3_font=“||||||||“ header_3_text_color=“#ce1b18″ header_3_font_size=“16px“ custom_margin=“||1px||false|false“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|tablet“ global_colors_info=“{}“]<\/p>\n

Alexander Polzin (b. 1973)<\/h3>\n

Polzin is a sculptor, painter, graphic artist, costume and stage designer, whose work is influenced by the world of theater and music. Thus, he also collaborated with the Hungarian composer Gy\u00f6rgy Kurt\u00e1g (b. 1926), to whom the sculpture in the collection is dedicated. <\/span> <\/span><\/p>\n

Website of the artist<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_divider _builder_version=“4.16″ _module_preset=“default“ custom_margin=“||-21px|||“ custom_padding=“||0px|||“ global_colors_info=“{}“][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“2_5,3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“2_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2022\/12\/Stele-IV-Semltisch-b.png“ title_text=“STELE IV, Sibylle Semlitsch“ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_3_text_color=“#ce1b18″ header_3_font_size=“16px“ custom_margin=“||1px||false|false“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|tablet“ global_colors_info=“{}“]<\/p>\n

Sibylle Semlitsch (b. 1968)<\/h3>\n

The artist has been working as a stone sculptor and letter engraver since 1997. The \"Stele IV\", which is on loan in the sculpture garden of the mSE Kunsthalle, is carved from pink marble and opens up the view of the landscape as if through the eye of a triple needle. The precise design of the sculpture rewards prolonged contemplation with the harmonious and lively proportion and reference of the parts of the arch to each other.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_divider _builder_version=“4.16″ _module_preset=“default“ custom_margin=“||-21px|||“ custom_padding=“||0px|||“ global_colors_info=“{}“][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“2_5,3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“2_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2023\/01\/Spagnulo-Senza-Ausschnitt.png“ title_text=“SENZA TITOLO, 1985, Giuseppe Spagnulo“ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_3_text_color=“#ce1b18″ header_3_font_size=“16px“ custom_margin=“||1px||false|false“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|tablet“ global_colors_info=“{}“]<\/p>\n

Giuseppe Spagnulo (1936\u20132016)<\/h3>\n

The Italian sculptor, who was an assistant in the studio of Lucio Fontana, is interested in the effect of the material in his works. He often works with solid steel, in large format and with emphasized concept. Many of these works are shown in public spaces.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_divider _builder_version=“4.16″ _module_preset=“default“ custom_margin=“||-21px|||“ custom_padding=“||0px|||“ global_colors_info=“{}“][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“2_5,3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“2_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2022\/12\/Tadeusz-Liegende-Ausschnitt-1.png“ title_text=“LIEGENDER AKT, 1991, Norbert Tadeusz“ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_3_text_color=“#ce1b18″ header_3_font_size=“16px“ custom_margin=“||1px||false|false“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|tablet“ global_colors_info=“{}“]<\/p>\n

Norbert Tadeusz (1940\u20132011)<\/h3>\n

Tadeusz studied painting at the Werkkunstschule Dortmund and at the Staatliche Kunstakademie D\u00fcsseldorf, where he became a master student of Josef Beuys. In the 1970s he was a lecturer in painting in M\u00fcnster and D\u00fcsseldorf. Although Tadeusz is particularly known for his figurative painting, he was also active as a sculptor with great artistic success.<\/p>\n

Webseite Norbert Tadeusz Estate<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_divider _builder_version=“4.16″ _module_preset=“default“ custom_margin=“||-21px|||“ custom_padding=“||0px|||“ global_colors_info=“{}“][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“2_5,3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“2_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/11\/20190731_101247-scaled.jpg“ title_text=“Bruno Wank in der Gie\u00dferei“ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_3_font=“||||||||“ header_3_text_color=“#ce1b18″ header_3_font_size=“16px“ custom_margin=“||1px||false|false“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|tablet“ global_colors_info=“{}“]<\/p>\n

Bruno Wank (b. 1961)<\/h3>\n

The artist, seen here with his sculpture \"Diversus\" in the foundry, works not only as a sculptor but also as a conceptual artist, and Wank runs and curates the exhibition space Verpackerei G\u00f6 together with his wife Michaela.\u00a0Wank<\/span>\u00a0<\/span>.<\/span><\/p>\n

Website of the artist<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ header_2_font_size=“30px“ header_2_font_size_tablet=“26px“ header_2_font_size_phone=““ header_2_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“ global_colors_info=“{}“]<\/p>\n

Sculpture garden<\/h2>\n

[\/et_pb_text][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2024\/05\/Faltplan-Skulpturengarten-13-4.jpg“ title_text=“Faltplan Skulpturengarten 13″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_button button_url=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2023\/08\/Faltplan-Skulpturengarten-11.pdf“ button_text=“Plan als PDF“ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Section Grau“ _builder_version=“4.16″ background_color=“#f4f4f4″ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ custom_padding=“||1px|||“ global_colors_info=“{}“]Der Skulpturengarten ist das ganze Jahr zug\u00e4nglich, wird aber nicht ger\u00e4umt. Die Kieswege weisen ein leichtes Gef\u00e4lle auf und sind grunds\u00e4tzlich barrierefrei. In der warmen Jahreszeit gibt es einige Sitzm\u00f6glichkeiten im Garten. [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_row column_structure=“2_5,3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“2_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2024\/05\/DSC03195-scaled.jpg“ title_text=“DSC03195″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“3_5″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ header_3_font=“||||||||“ header_3_text_color=“#ce1b18″ header_3_font_size=“16px“ custom_margin=“||1px||false|false“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|tablet“ global_colors_info=“{}“]<\/p>\n

A project from the pandemic<\/h3>\n

The submarine in the sculpture garden was created during the coronavirus pandemic as a project by schoolchildren under the guidance of Christian Zott together with the French metal sculptor Pierre Matter.<\/p>\n

Hector Zott and his friends Leo, Vincent, Lucia and Daniel were initially taught technical drawing by Christian Zott. They then realized their construction plan for a 12-metre-long submarine during the summer vacations in Pierre Matter's workshop under the artist's guidance.\u00a0<\/p>\n

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