[et_pb_section fb_built=“1″ admin_label=“Seiten Titel“ _builder_version=“4.7.3″ use_background_color_gradient=“on“ background_color_gradient_start=“rgba(0,0,0,0.43)“ background_color_gradient_end=“rgba(0,0,0,0)“ background_color_gradient_direction=“15deg“ background_color_gradient_overlays_image=“on“ background_image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/05\/20210520_172352-scaled.jpg“ background_position=“top_center“][et_pb_row _builder_version=“4.4.4″][et_pb_column type=“4_4″ _builder_version=“4.4.4″][et_pb_text _builder_version=“4.7.3″ custom_margin=“288px||0px||false|false“ custom_padding=“||20px|||“]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Sektion Wei\u00df“ module_id=“Sektion1″ _builder_version=“4.4.4″ background_color=“#ffffff“ height=“100%“ custom_padding=“90px|0px|90px|0px|true|“ saved_tabs=“all“][et_pb_row _builder_version=“4.4.5″][et_pb_column type=“4_4″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ custom_padding=“||0px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“]<\/p>\n
SIGHTING is a scupture by Hildegard Rasthofer and Christian Neumaier that is over 30 m high and can be entered by visitors. The mSE Kunsthalle had loaned the artwork to Flossenb\u00fcrg in Upper Palatinate where it has been installed for the 4th time from June until fall. On a hill above the concentration camp memorial, SIGHTING opened a thinking space for visitors.<\/p>\n
[\/et_pb_text][et_pb_button button_url=“https:\/\/www.sichtung.info\/“ url_new_window=“on“ button_text=“Eigene Webseite der SICHTUNG“ _builder_version=“4.4.5″ custom_button=“on“ button_text_color=“#666666″][\/et_pb_button][et_pb_button button_url=“https:\/\/www.gedenkstaette-flossenbuerg.de\/de\/“ url_new_window=“on“ button_text=“Webseite der Gedenkst\u00e4tte“ _builder_version=“4.7.3″ custom_button=“on“ button_text_color=“#666666″ custom_margin=“||42px|||“][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.4.5″][et_pb_column type=“4_4″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ custom_margin=“||-1px||false|false“]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.4.5″ module_alignment=“center“ custom_margin=“|385px||auto||“][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/Sichtungivaufbau.jpg“ _builder_version=“4.7.3″ body_font=“||on||||||“ body_text_color=“#666666″ body_font_size=“12px“ body_line_height=“1em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=“10px“ body_font_size_last_edited=“off|phone“ alt=“Die SICHTUNG wird aufgebaut“ sticky_enabled=“0″]<\/p>\n
On its new temporary location, SIGHTING, for the first time, towers over a forest.\u00a0<\/p>\n
[\/et_pb_blurb][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ header_4_text_align=“left“ text_orientation=“left“ text_font_size_tablet=“14px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|tablet“ header_4_font_size_tablet=““ header_4_font_size_phone=““ header_4_font_size_last_edited=“on|phone“]<\/p>\n
SIGHTING consists of steal cubes with a lenght of 2.4 m each and a steal ring on the top. On its location in Flossenb\u00fcrg, the sculpture has a hight of 32.4 m. The cubes are put on top of each other via crane and then screwed together. The sculpture can be assembled and disassembled within a few hours. It is conceived as a mobile installation. In any event, the sculpture is also a remarkable technical achievement. [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.4.5″ module_alignment=“center“ custom_margin=“|385px||auto||“][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/20210520_180814-scaled.jpg“ _builder_version=“4.7.3″ body_font=“||on||||||“ body_text_color=“#666666″ body_font_size=“12px“ body_line_height=“1em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=“10px“ body_font_size_last_edited=“off|phone“ alt=“Waldlicht in der SICHTUNG“ sticky_enabled=“0″]<\/p>\n All the steal pieces of the artwork vibrate and resonate under the visitor's steps.<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ header_4_text_align=“left“ text_orientation=“left“ text_font_size_tablet=“14px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|tablet“ header_4_font_size_tablet=““ header_4_font_size_phone=““ header_4_font_size_last_edited=“on|phone“]<\/p>\n Moving inside of the artwork, the surrounding space can be experience in a special way: The vertical movement allows to explore the volume of the sculpture, and the space around it from an elevated perspective. The environments sounds, the wind, the visitors steps and breath create a world of sound of its own.\u00a0<\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.4.5″ module_alignment=“center“ custom_margin=“|385px||auto||“][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/20210520_172927-scaled.jpg“ _builder_version=“4.7.3″ body_font=“||on||||||“ body_text_color=“#666666″ body_font_size=“12px“ body_line_height=“1em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=“10px“ body_font_size_last_edited=“off|phone“ alt=“Neue Rostspuren auf der SICHTUNG“ sticky_enabled=“0″]<\/p>\n Drops of corrosion, that have altered the artwork since its last installation in Unterammergau.<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ header_4_text_align=“left“ text_orientation=“left“ text_font_size_tablet=“14px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|tablet“ header_4_font_size_tablet=““ header_4_font_size_phone=““ header_4_font_size_last_edited=“on|phone“]<\/p>\n The construction steel has a changeable, multifaceted surface: blank, injured, patinated, different stages of corrosion. Light, wether, and the point of view of the spectator alter the colors of the material, ever changing between silver, grey, blue, green, red, orange, brown, and black.\u00a0<\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Section Grau“ _builder_version=“4.4.4″ background_color=“#f4f4f4″][et_pb_row _builder_version=“4.4.5″][et_pb_column type=“4_4″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ custom_margin=“||1px||false|false“]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.4.5″][et_pb_column type=“4_4″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“]<\/p>\n Hildegard Rasthofer<\/strong>, architect and artist, was born in 1968 in Wartenberg. She studied architecture at the TU Munich.\u00a0Christian Neumaier<\/strong>, born 1965 in Haag, is a metal sulptor and maste blacksmith. As an artist, he co\u00f6perates with Hildegard Rasthofer in the interdisciplinary field of experimental architecture and sculptural creation.<\/span><\/p>\n >>Every visitor leaves by means of movement a specific pattern of sound in the sculpture -- a trace of sound.<< <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.4.5″][et_pb_row _builder_version=“4.4.5″][et_pb_column type=“4_4″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ custom_margin=“||1px||false|false“]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.4.5″ module_alignment=“center“ custom_margin=“|385px||auto||“][et_pb_column type=“4_4″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|phone“]<\/p>\n >>The sculpture moves to places where an exciting interaction with the environment happens.<< <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.4.5″ module_alignment=“center“ custom_margin=“|385px||auto||“][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/Sichtungivausblick-scaled.jpg“ _builder_version=“4.7.3″ body_font=“||on||||||“ body_text_color=“#666666″ body_font_size=“12px“ body_line_height=“1em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=“10px“ body_font_size_last_edited=“off|phone“ alt=“Blick in die Landschaft“ sticky_enabled=“0″]<\/p>\n Through one of SIGHTING's windows you can see the distant landscape, the houses of the young town Flossenb\u00fcrg, and the administrative buiding of DESt (right).<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ header_4_text_align=“left“ text_orientation=“left“ text_font_size_tablet=“14px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|tablet“ header_4_font_size_tablet=““ header_4_font_size_phone=““ header_4_font_size_last_edited=“on|phone“]<\/p>\n On its different locations, the sculpture enters into a dialogue with the surrounding landscape. The deep windows and the sculptures top allow for fresh frames and points of view. In turn, seen from below, the sculpture may appear as a mark in the landscape. Therefore, it has an index. In Flossenb\u00fcrg, on its 4th location, it has the index IV. [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.4.5″ module_alignment=“center“ custom_margin=“|385px||auto||“][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/SichtungivGranitwerk-scaled.jpg“ _builder_version=“4.7.3″ body_font=“||on||||||“ body_text_color=“#666666″ body_font_size=“12px“ body_line_height=“1em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=“10px“ body_font_size_last_edited=“off|phone“ alt=“Blick in den Granitsteinbruch“ sticky_enabled=“0″]<\/p>\n The granite quarry next to the location is still active today. The prisoners of the camp were forced to quarry there by the SS.<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ header_4_text_align=“left“ text_orientation=“left“ text_font_size_tablet=“14px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|tablet“ header_4_font_size_tablet=““ header_4_font_size_phone=““ header_4_font_size_last_edited=“on|phone“]<\/p>\n On its first location, in Reithofen, the sculpture hat marked the contrast of horizontal and vertical lines in the gravel planes north of Munich. On its second location, in Munich's Kreativquartier, it became a mark of urban development. In the sculpture garden of the mSE Kunsthalle, SIGHTING was standing above the Pulvermoos, a moor between Obeammergau and Unterammergau. The slopes of the surrounding mountains towered over the slender cuboid, which highlighted the width and curves of the valley. On its 4th location, the artwork, for the first time, enters a historic and political context.<\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.4.5″ module_alignment=“center“ custom_margin=“|385px||auto||“][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/20210520_172213-scaled.jpg“ _builder_version=“4.7.3″ body_font=“||on||||||“ body_text_color=“#666666″ body_font_size=“12px“ body_line_height=“1em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=“10px“ body_font_size_last_edited=“off|phone“ alt=“Aussicht auf den Himmel“ sticky_enabled=“0″][\/et_pb_blurb][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ header_4_text_align=“left“ text_orientation=“left“ text_font_size_tablet=“14px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|tablet“ header_4_font_size_tablet=““ header_4_font_size_phone=““ header_4_font_size_last_edited=“on|phone“]<\/p>\n From the sculpture and its top, the surroundings appear in ever new frames: The young town of Flossenb\u00fcrg, the medieval ruins of a fortress, the active quarry where the camp prisoners were forced to quarry granite. The concentration camp memorial and its historic buildings are hidden by the trees on the hill, and yet remain ever present.\u00a0 [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Section Grau“ _builder_version=“4.4.4″ background_color=“#f4f4f4″][et_pb_row _builder_version=“4.4.5″][et_pb_column type=“4_4″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ custom_margin=“||-1px||false|false“]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.4.5″][et_pb_column type=“4_4″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″]<\/p>\n In 1938, the SS opened a concentration camp in the small town of Flossenb\u00fcrg, where, since the turn of the century, granite had been quarried. Flossenb\u00fcrg became the center of an expansive network of subcamps. In the later years of the war Flossenb\u00fcrg and its subcamps were mostly involved in the armaments production for Messerschmitt among others.<\/p>\n After the war, a town grew over the former concentration camp. It was only in 1995, that the current memorial was founded, which should lay bare the many layers of history, memory and repression. Ever since, the memorial has tried to critically and sensitively reflect the forms of rememberence, research and commemoration. 2014 it was awarded the European Museum Award.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_column type=“1_2″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/20210520_124808-1-scaled.jpg“ _builder_version=“4.7.3″ _module_preset=“default“ body_line_height=“1.2em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=““ body_font_size_last_edited=“on|desktop“ alt=“Die Kommandantur des fr\u00fcheren Konzentrantionslagers“ sticky_enabled=“0″]<\/p>\n The Kommandantur (commandment's headquarters). In May 1938, the first prisoners were brought from Dachau to Flossenb\u00fcrg. In February 1945, 14,800 people were imprisoned in the concentration camp.<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/20210520_135421-scaled.jpg“ _builder_version=“4.7.3″ _module_preset=“default“ body_line_height=“1.2em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=““ body_font_size_last_edited=“on|desktop“ alt=“Die Wohnh\u00e4user reichen bis an das heute freigelegte H\u00e4ftlingslager heran“ sticky_enabled=“0″]<\/p>\n After the war, the town of Flossenb\u00fcrg grew over the former camp. The industries were kept, workers and expellees moved there. The private houses today border on the former prisoners camp.<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_column type=“1_2″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/Tal-des-Todes-scaled.jpg“ _builder_version=“4.7.3″ _module_preset=“default“ body_line_height=“1.2em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=““ body_font_size_last_edited=“on|desktop“ alt=“Tal des Todes“ sticky_enabled=“0″]<\/p>\n Behind the prisoners camp, the \"valley of death\" is located, where prisoners were executed and where the crematorium was located. In this area, the first memorial place was installed after the war, while the upper part of the concentration camp was only layn open much later.<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/20210520_135649-scaled.jpg“ _builder_version=“4.7.3″ _module_preset=“default“ body_line_height=“1.2em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=““ body_font_size_last_edited=“on|desktop“ alt=“Ehrenfriedhof in Flossenb\u00fcrg“ sticky_enabled=“0″]<\/p>\n From 1957 until 1960, a cementary of honor was established in Flossenb\u00fcrg, to where the remains of former inmates that had died on the death marches at the end of the war were transferred. The cementary has more than 5,500 individual graves.<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_column type=“1_2″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/20210520_144627-scaled.jpg“ _builder_version=“4.7.3″ _module_preset=“default“ body_line_height=“1.2em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=““ body_font_size_last_edited=“on|desktop“ alt=“Verwaltungsgeb\u00e4ude der DESt“ sticky_enabled=“0″]<\/p>\n Above the quarry and next to SIGHTING's installation spot, was the administrative building of the DESt, a mining company that was owend by the SS and run for profit through forced labor in the granite quarry. From 1942, Flossenb\u00fcrg became the center of a net of almost 80 subcamps that were located from W\u00fcrzburg to Prague and from Lower Bavaria to the North of Saxony. 1943 Flossenb\u00fcrg became involved in the armament industry. At the end of the war, 5.000 prisoners were forced to work for Messerschmitt.\u00a0<\/p>\n [\/et_pb_blurb][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_blurb image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/20210520_183646-scaled.jpg“ _builder_version=“4.7.3″ _module_preset=“default“ body_line_height=“1.2em“ hover_enabled=“0″ body_font_size_tablet=“12px“ body_font_size_phone=““ body_font_size_last_edited=“on|desktop“ alt=“Burgruine“ sticky_enabled=“0″]<\/p>\n The ruin of the fortress of Flossenb\u00fcrg (founded around the year 1100) can be seen from SIGHTING as well as from the luxurious administrative building of the DESt. Back then, the fortress was rebranded as a sign of German strength against the Slavs. Today's Czech border is only 5 km away from Flossenb\u00fcrg.<\/p>\n [\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Section Grau“ _builder_version=“4.7.3″ background_color=“#ffffff“][et_pb_row _builder_version=“4.4.5″][et_pb_column type=“4_4″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ header_3_text_color=“#000000″ custom_margin=“||-2px||false|false“]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.4.5″][et_pb_column type=“4_4″ _builder_version=“4.4.5″][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#ce1b18″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“]<\/p>\n With SIGHTING we open a space to think, not just to commemorate. We find ourselves in an area, of which one does not see its past at first glance, but that was shaped by history everywhere, covered in layers. SIGHTING is an opening. It allows an approach to the location and opens up a new space. Seven decades grew over the concentration camp Flossenb\u00fcrg. We see the young town Flossenb\u00fcrg in a beautiful landscape, as was the landscape in Unterammergau, with a history of commemoration and memory. The square shape of the sculpture allows to bring together different directions and views, and will thus enable the visitors to open up the different layers, carefully and on their own. We do not want to occupy the space, we want to open it. For that purpose, there is no better artwort than SIGHTING. It appears as if the sculpture had been created for this location. That shows the quality of the sculpture, that opens up a new context for itself on each location. Every place enriches the trace of the artwork and makes it more complex. Flossenb\u00fcrg will change all future locations. It is no longer the same artwork that has come to us from Unterammergau.<\/em><\/strong><\/p>\n Prof. Dr. J\u00f6rg Skriebeleit, Director of the memorial site<\/span><\/p>\n [\/et_pb_text][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/Sichtung-2005.jpg“ title_text=“Sichtung 2005″ _builder_version=“4.7.3″ _module_preset=“default“][\/et_pb_image][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#ce1b18″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“]<\/p>\n During the installation, I heard again from people that were passing by, that the sculpture looks as if it had always been there. I always think that's great. The setting between the trees here is new. You go up in the trees, then, suddenly, when we rise above the tall trees, the horizon opens up. The inside of the sculpture is also always different, depending on the location. The expectation with which the people will enter the sculpture, here, is very different from the prior locations. The forth location is charged with the past, there are layers of different pasts. And yet, I think that SIGHTING will sill add another possibility to experience this place in a new way. <\/strong><\/em><\/p>\n Hildegard Rasthofer<\/span><\/p>\n [\/et_pb_text][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/20210601_175335-scaled.jpg“ title_text=“20210601_175335″ _builder_version=“4.7.3″ _module_preset=“default“][\/et_pb_image][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#ce1b18″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“]<\/p>\n The artwork comes alive throgh its dialogue with the place in which it is installed. It challenges the visitors to reflect and to sight, and it does not do the job for them. In every landscape there are many layers of the past, but also of the present and the future that can be exposed. SIGHTING is a an outstanding occasion to do so.<\/em><\/strong><\/p>\n Christian Zott<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_row _builder_version=“4.7.3″ _module_preset=“default“][et_pb_column type=“4_4″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_button button_url=“https:\/\/www.mse-kunsthalle.de\/sichtung-iii\/“ url_new_window=“on“ button_text=“SICHTUNG III in Unterammergau“ _builder_version=“4.7.3″ _module_preset=“default“][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" SICHTUNG IVSICHTUNG ist eine begehbare Skulptur von \u00fcber 30 m H\u00f6he der K\u00fcnstler Hildegard Rasthofer und Christian Neumaier. Die mSE Kunsthalle hat das Werk nach Flossenb\u00fcrg in der Oberpfalz verliehen, wo die Skulptur von Juni 2021 bis Mai 2022 zum vierten Mal installiert war. Auf einer Anh\u00f6he \u00fcber der KZ-Gedenkst\u00e4tte, der Leihnehmerin des Werks, er\u00f6ffnete […]<\/p>","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2222","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/2222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/comments?post=2222"}],"version-history":[{"count":26,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/2222\/revisions"}],"predecessor-version":[{"id":3601,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/2222\/revisions\/3601"}],"wp:attachment":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/media?parent=2222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/span><\/p>\nSpatial and sound sculpture<\/h4>\n
<\/span><\/p>\nMateriality<\/h4>\n
<\/span><\/p>\nThe Artists<\/h3>\n
<\/span>(Hildegard Rasthofer, Christian Neumaier)<\/span><\/p>\nThe location<\/h3>\n
(Hildegard Rasthofer, Christian Neumaier)<\/p>\nLand art<\/h4>\n
<\/span><\/p>\nMark<\/h4>\n
<\/span><\/p>\nPerspectives<\/h4>\n
<\/span><\/p>\nHistory<\/h3>\n
Voices<\/h3>\n