[et_pb_section fb_built=“1″ _builder_version=“4.7.3″ _module_preset=“default“ background_color=“#000000″][et_pb_row module_id=“aaa“ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_column type=“4_4″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2023\/08\/07-Beuckelaer-scaled.jpg“ title_text=“07 Beuckelaer“ _builder_version=“4.7.3″ _module_preset=“default“ hover_enabled=“0″ sticky_enabled=“0″][\/et_pb_image][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ custom_margin=“||101px||false|false“ hover_enabled=“0″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“ sticky_enabled=“0″]<\/p>\n
Wolfang Beltracchi, 2018 [\/et_pb_text][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ hover_enabled=“0″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“ sticky_enabled=“0″]<\/p>\n \u00bbBeuckelaer\u2019s secular\/religious scenes date mainly from the 1560\u2019s, a period of mounting Calvinist agitation. The execution of several of these paintings is directly contemporaneous with the outbreak of iconoclasm itself. The nominal Catholicism of Beuckelaer notwithstanding, the character of his work coincides remarkably with Calvin\u2019s call for an art of the visible. The church\u2019s failure to react vigorously to the reformed challenge regarding images seems to have led to a popular indifference to the issue, that ultimately permitted the wholesale destruction of ecclesiastical art in 1566.\u00ab<\/p>\n Professor Keith Moxey, Columbia University, New York<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ custom_margin=“100px||41px||false|false“ hover_enabled=“0″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“ sticky_enabled=“0″]<\/p>\n In his paintings, Beuckelaer shifts the focus to the profane setting of a sacral event. Beltracchi shows a side plot of the Passion as a secular scene: in this case, the soldiers dividing up Christ\u2018s clothes among themselves are book printers playing dice. The clothes are also depicted symbolically; the crucifixion can be seen in the background. Transposing a religious event to the painter\u2018s own time is not uncommon in art history. Here, the printing press refers to a historic turning point: in 1566, Calvinist iconoclasm, supported by printed pamphlets, swept through Antwerp. Churches were plundered, leading to the destruction of several paintings by Beuckelaer. Iconoclasm was also politically motivated and often carried out with the approval of an anticlerical authority.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" Wolfang Beltracchi, 2018Verlosung des Gewandes ChristiHandschrift: Joachim Beuckelaer, 1566, Antwerpen\u00d6l auf Leinwand, 70 x 99,5 cm \u00bbBeuckelaers s\u00e4kular-religi\u00f6se Szenen datieren haupts\u00e4chlich aus den 1560er Jahren, einer Zeit zunehmender calvinistischer Agitation. Die Ausf\u00fchrung mehrerer dieser Gem\u00e4lde f\u00e4llt mit dem Ausbruch des Ikonoklasmus zusammen. Dem nominellen Katholizismus Beuckelaers zum Trotz stimmt der Charakter seines Werkes in bemerkenswerter […]<\/p>","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3883","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/comments?post=3883"}],"version-history":[{"count":3,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3883\/revisions"}],"predecessor-version":[{"id":3922,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3883\/revisions\/3922"}],"wp:attachment":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/media?parent=3883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Drawing Lots for the Clothing of Christ
<\/strong>Artistic voice: Joachim Beuckelaer, 1566, Antwerp
Oil on canvas, 70 x 99.5 cm<\/p>\n