{"id":3903,"date":"2023-09-14T14:02:09","date_gmt":"2023-09-14T12:02:09","guid":{"rendered":"https:\/\/www.mse-kunsthalle.de\/?page_id=3903"},"modified":"2024-02-27T14:06:03","modified_gmt":"2024-02-27T13:06:03","slug":"k16","status":"publish","type":"page","link":"https:\/\/www.mse-kunsthalle.de\/en\/k16\/","title":{"rendered":"k16"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8220;1&#8243; _builder_version=&#8220;4.7.3&#8243; _module_preset=&#8220;default&#8220; background_color=&#8220;#000000&#8243;][et_pb_row module_id=&#8220;aaa&#8220; _builder_version=&#8220;4.7.3&#8243; _module_preset=&#8220;default&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.7.3&#8243; _module_preset=&#8220;default&#8220;][et_pb_image src=&#8220;https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2023\/08\/16_Klimt-scaled.jpg&#8220; title_text=&#8220;16_Klimt&#8220; _builder_version=&#8220;4.7.3&#8243; _module_preset=&#8220;default&#8220; custom_margin=&#8220;||61px|||&#8220;][\/et_pb_image][et_pb_text _builder_version=&#8220;4.7.3&#8243; _module_preset=&#8220;default&#8220; text_text_color=&#8220;#f4f4f4&#8243; header_2_font=&#8220;||||||||&#8220; header_2_text_color=&#8220;#ce1b18&#8243; text_font_size_tablet=&#8220;14px&#8220; text_font_size_phone=&#8220;&#8220; text_font_size_last_edited=&#8220;on|tablet&#8220; header_2_text_shadow_style=&#8220;none&#8220;]<\/p>\n<p>Wolfgang Beltracchi, 2018<br \/><strong>Charon<br \/><\/strong>Artistic voice: Gustav Klimt, 1918, Vienna<br \/>Oil on canvas, 100.5 x 90.5 cm<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8220;4.7.3&#8243; _module_preset=&#8220;default&#8220; text_text_color=&#8220;#f4f4f4&#8243; header_2_font=&#8220;||||||||&#8220; header_2_text_color=&#8220;#ce1b18&#8243; text_font_size_tablet=&#8220;14px&#8220; text_font_size_phone=&#8220;&#8220; text_font_size_last_edited=&#8220;on|tablet&#8220; header_2_text_shadow_style=&#8220;none&#8220;]<\/p>\n<p style=\"text-align: left;\">\u00bbGustav Klimt\u2019s was the first death of a key figure in that pivotal year of 1918, representing the end of more than just Vienna\u2019s powerful cultural influence around 1900. Klimt was just 55 when he died. It would not be wrong to blame his death less on the war than on the circumstances that not only promoted his career but above all inhibited it. By the end of his creative output, Klimt was regarded as a supplier of luxury goods, passed over into splendid isolation. The high level of zeal for the art world which had characterized his career had long since dissipated. In 1917, Klimt was once again denied a professorship. It was the fourth occasion this had happened.\u00ab<\/p>\n<p style=\"text-align: right;\"><span style=\"color: #ff0000; font-size: 16px; text-align: right;\">Professor Rainer Metzger, State Academy of Art and Design, Karlsruhe<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8220;4.7.3&#8243; _module_preset=&#8220;default&#8220; text_text_color=&#8220;#f4f4f4&#8243; header_2_font=&#8220;||||||||&#8220; header_2_text_color=&#8220;#ce1b18&#8243; custom_margin=&#8220;100px||41px||false|false&#8220; text_font_size_tablet=&#8220;14px&#8220; text_font_size_phone=&#8220;&#8220; text_font_size_last_edited=&#8220;on|tablet&#8220; header_2_text_shadow_style=&#8220;none&#8220;]<\/p>\n<p style=\"text-align: left;\">Following the concept of art in the late 19th century, Gustav Klimt rejected the idea of a self-portrait. Art was to serve only beauty. Ultimately, he began to doubt the critical impulse of the artistic religion of the Art Nouveau style, and, from 1910, changed his aesthetic towards modernism: the gold background disappears from his paintings. On Klimt\u2019s death, there were several unfinished paintings in his studio. Beltracchi provides the addition of a self-portrait for Klimt that reflects the artist and his concept of art. Behind the artist is a reflection of the unfinished \u201cbride\u201d, united with the ferryman Charon in the picture.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8220;https:\/\/www.mse-kunsthalle.de\/z_kairos_epoche_17\/&#8220; button_text=&#8220;Mehr zur Entstehung und zur Epoche&#8220; _builder_version=&#8220;4.7.3&#8243; _module_preset=&#8220;default&#8220; custom_margin=&#8220;98px|||||&#8220; hover_enabled=&#8220;0&#8243; sticky_enabled=&#8220;0&#8243;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":"<p>Wolfgang Beltracchi, 2018CharonHandschrift: Gustav Klimt, 1918, Wien\u00d6l auf Leinwand, 100,5 x 90,5 cm\u00bbGustav Klimt ist der erste der gro\u00dfen Toten in jenem Schl\u00fcsseljahr 1918, das nicht nur der Kultur des Wien um 1900 ein Ende setzt. Klimt war gerade 55, als er starb. Man geht nicht fehl, macht man f\u00fcr seinen Tod weniger den Krieg [&hellip;]<\/p>","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3903","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/comments?post=3903"}],"version-history":[{"count":4,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3903\/revisions"}],"predecessor-version":[{"id":4310,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3903\/revisions\/4310"}],"wp:attachment":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/media?parent=3903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}