[et_pb_section fb_built=“1″ _builder_version=“4.7.3″ _module_preset=“default“ background_color=“#000000″][et_pb_row module_id=“aaa“ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_column type=“4_4″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2024\/02\/17a_munch_erwartung_I.jpg“ title_text=“17a_munch_erwartung_I“ _builder_version=“4.7.3″ _module_preset=“default“ hover_enabled=“0″ sticky_enabled=“0″][\/et_pb_image][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2023\/08\/17b_Munch-scaled.jpg“ title_text=“17b_Munch“ _builder_version=“4.7.3″ _module_preset=“default“][\/et_pb_image][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ custom_margin=“||101px||false|false“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“]<\/p>\n
Wolfgang Beltracchi, 2018 [\/et_pb_text][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“]<\/p>\n \u00bbFriedrich Nietzsche had undertaken an ambitious project: he wanted to find his ideal scientific student at long last, and perhaps even meet the woman of his dreams. With these lofty goals in sight, he approached Lou von Salom\u00e9, certain in his belief that they were meant to be together. The equally prosaic and highly intelligent Russian noblewoman was not easy to impress, however. Within a short time, this longed-for encounter had become a poisoned chalice that brought Nietzsche to the brink of suicide. The paintings in Munch\u2019s artistic voice portray the very depths of human despair and illustrate how fierce jealousy and possessiveness were once regarded as part and parcel of romantic endeavours. The title advises against settings one\u2019s own expectations too high \u2013 timeless advice that is extremely topical in a world of excessive self-reflection.\u00ab<\/p>\n Professor Ulrich Sieg, Philipps University of Marburg<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ custom_margin=“100px||41px||false|false“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“]<\/p>\n Nietzsche met Lou von Salom\u00e9 in 1882 in St. Peter\u2019s Basilica. Aside from her connections to Nietzsche, Rilke and Freud, von Salom\u00e9 was a successful writer and independent thinker in her own right. In the great aesthetic quest for meaning of the turn of the century, she developed a new way of living. \u201cExpectation\u201d is a multi-faceted term: personally, politically and historically. Munch stayed in Rome in 1927, and had produced a portrait of Nietzsche based on a photograph as early as 1906. His approach of frequently varying series of motifs is picked up by Beltracchi and underlines the ambiguity held within the concept of expectation at the turn of the century. A great many people experienced disappointment. The Piet\u00e0 in the background alludes to gender relations and highlights the permanence of art.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" Wolfgang Beltracchi, 2018Erwartung IErwartung IIHandschrift: Edvard Munch, 1906\/1927, Weimar\/Rom\u00d6l auf Leinwand, 120,5 x 140,5 cm\u00bbFriedrich Nietzsche hatte sich viel vorgenommen: Er wollte endlich die ideale wissenschaftliche Sch\u00fclerin finden und vielleicht die Frau f\u00fcrs Leben kennenlernen. Dementsprechend anspruchsvoll n\u00e4herte er sich Lou von Salom\u00e9 mit der Frage, \u201evon welchen Sternen\u201c sie \u201eeinander zugefallen\u201c seien. Doch die […]<\/p>","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3905","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/comments?post=3905"}],"version-history":[{"count":4,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3905\/revisions"}],"predecessor-version":[{"id":4343,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3905\/revisions\/4343"}],"wp:attachment":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/media?parent=3905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Expectation I
<\/strong>Expectation II
<\/strong>Artistic voice: Edvard Munch, 1906\/1927, Weimar\/Rome
Oil on canvas, each 120.5 x 140.5 cm<\/p>\n