[et_pb_section fb_built=“1″ _builder_version=“4.7.3″ _module_preset=“default“ background_color=“#000000″][et_pb_row module_id=“aaa“ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_column type=“4_4″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2023\/08\/18_Boccioni-scaled.jpg“ title_text=“18_Boccioni“ _builder_version=“4.7.3″ _module_preset=“default“ hover_enabled=“0″ sticky_enabled=“0″][\/et_pb_image][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ custom_margin=“||101px||false|false“ hover_enabled=“0″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“ sticky_enabled=“0″]<\/p>\n
Wolfgang Beltracchi, 2018 [\/et_pb_text][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ hover_enabled=“0″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“ sticky_enabled=“0″]<\/p>\n \u00bbThe story of the attack by the notorious, anarchist Bonnot gang on the Soci\u00e9t\u00e9 G\u00e9n\u00e9rale bank in 1911 must have blazed through the highly visual imagination of the young Boccioni: a car in the crowd, the armed attack, the blood, the gunshots, the panic, the drama, the car at high speed, the police chase ... We find ourselves just a few weeks before the exhibition in the Bernheim-Jeune gallery that will show to the world the explosive power of Italian Futurism painting: a shock \u2013 but Boccioni will not have time to create a painting inspired by the raid. Over a century later, Beltracchi records the event. It is the sacred right of an intelligent and highly creative artist to \u201cplay\u201d with the artists of the past. Or in reality is it a challenge of painting and its history, a kind of \u201cduel\u201d between two artists? Here, too, Beltracchi has numerous predecessors, including some of the most creative artists of all time. Between you and me, I recommend looking at the freedom, courage, passion and the quality of the painting. Now that the painting is in front of us, the verdict lies with us alone.\u00ab<\/p>\n Andrea Bellieni, Director and Conservator of the Museo Correr, Venice<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ custom_margin=“100px||41px||false|false“ hover_enabled=“0″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“ sticky_enabled=“0″]<\/p>\n The first robbery using a car as an escape vehicle was committed by an anarchist gang led by Jules Bonnot in December 1911. They shot down a guard at the Soci\u00e9t\u00e9 G\u00e9n\u00e9rale bank, fired warning shots into a crowd and drove off in a stolen Delaunay-Belville, built in 1910. The police soon had to give up their pursuit by bicycle and on horseback. For several months, the gang carried out spectacular raids in Paris. The city was also where the first futurist exhibition opened, which itself was intended as a raid on the established art scene. The present time was to be recorded as an intoxication of speed; movement is simultaneously depicted in the painting in fragmented forms.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" Wolfgang Beltracchi, 2018Les Ill\u00e9galistesHandschrift: Umberto Boccioni, 1912, Paris\u00d6l auf Leinwand, 98,5 x 99,5 cm \u00bbDie Geschichte vom \u00dcberfall der ber\u00fcchtigten, anarchistischen Bonnot-Bande auf die Bank Soci\u00e9t\u00e9 G\u00e9n\u00e9rale 1911 muss die bildliche Vorstellung des jungen Boccioni wie ein Blitz durchschossen haben: Ein Auto in der Menschenmenge, der bewaffnete Angriff, das Blut, die Sch\u00fcsse auf die Leute, […]<\/p>","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3907","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/comments?post=3907"}],"version-history":[{"count":3,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3907\/revisions"}],"predecessor-version":[{"id":3963,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3907\/revisions\/3963"}],"wp:attachment":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/media?parent=3907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
The Illegalists
<\/strong>Artistic voice: Umberto Boccioni, 1912, Paris
Oil on canvas, 98.5 x 99.5 cm<\/p>\n