[et_pb_section fb_built=“1″ _builder_version=“4.7.3″ _module_preset=“default“ background_color=“#000000″][et_pb_row module_id=“aaa“ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_column type=“4_4″ _builder_version=“4.7.3″ _module_preset=“default“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2023\/08\/20_Ballets-Russes.jpg“ title_text=“20_Ballets Russes“ _builder_version=“4.7.3″ _module_preset=“default“ custom_margin=“||61px|||“ hover_enabled=“0″ sticky_enabled=“0″][\/et_pb_image][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ hover_enabled=“0″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“ sticky_enabled=“0″]<\/p>\n
Wolfgang Beltracchi, 2017 (bottom left) Wolfgang Beltracchi, 2017 (middle) Wolfgang Beltracchi, 2017 (bottom right) Wolfgang Beltracchi, 2017 (top right) Wolfgang Beltracchi, 2017 (links oben) [\/et_pb_text][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ hover_enabled=“0″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“ sticky_enabled=“0″]<\/p>\n \u00bbPortraying ballet, music and dance, in a painting? Surely an impossible task! And yet this is precisely the strength of fine art: it does not simply extract a single frame from a sequence of multiple images, it creates something that is highly condensed, uniting in a single work the subject matter, the moment in time and the potentiality. The human mind thinks in representative images. That is why fine art, which is so successful in this condensation process, is still so important today for symbolism, understanding and the connection to a kairos, the right moment. The avant-garde breaks with the past and with our habitual ways of viewing the world, our \u201cvisual habits\u201d, and the viewer is prompted to rethink his or her ways of perceiving, opening up a much more elaborate field of perception. This is the promise of the \u201cBallets Russes\u201d kairos: the combination of different avant-garde artistic styles, principles and persons to form a complete artwork puts up a barrier to an automatic mental processing of the image, thus honouring this kairos via forced elaboration and its resultant associations.\u00ab<\/p>\n Professor Claus-Christian Carbon, Otto-Friedrich University, Bamberg <\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=“4.7.3″ _module_preset=“default“ text_text_color=“#f4f4f4″ header_2_font=“||||||||“ header_2_text_color=“#ce1b18″ custom_margin=“100px||41px||false|false“ hover_enabled=“0″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_2_text_shadow_style=“none“ sticky_enabled=“0″]<\/p>\n The \u201cBallets Russes\u201d ballet company established modern ballet in the years 1909-1929. The ensemble brought together the most diverse artists from the avant-garde movement. Stravinsky, for example, composed seven pieces for the ballet, including \u201cLe sacre du printemps\u201d, which was choreographed by Vaslav Nijinsky and in 1913 caused one of the most infamous scandals in the world of music. Ida Rubinstein offered particular appeal with her sensual, libertine style of dance. Picasso worked on the creation of the set and the costumes on three occasions. Braque took on the same role for the performance of \u201cLes F\u00e2cheux\u201d (1924), which was inspired by the Italian Commedia dell\u2019arte theatrical form, as did de Chirico, who borrowed his designs for \u201cLe Bal\u201d from his own Pittura metafisica style of metaphysical art.<\/p>\n [\/et_pb_text][et_pb_button button_url=“https:\/\/www.mse-kunsthalle.de\/z_kairos_epoche_20\/“ button_text=“Mehr zur Entstehung und zur Epoche“ _builder_version=“4.7.3″ _module_preset=“default“ custom_margin=“98px|||||“ hover_enabled=“0″ sticky_enabled=“0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" Wolfgang Beltracchi, 2017 (links unten)Portrait Ida RubinsteinHandschrift: Kees van Dongen, 1909, Paris\u00d6l auf Leinwand, 46 x 37,5 cm Wolfgang Beltracchi, 2017 (mitte)Portrait Igor StrawinskyHandschrift: Amedeo Modigliani, 1917, Paris\u00d6l auf Leinwand, 72 x 55,5 cm Wolfgang Beltracchi, 2017 (rechts unten)Vaslav Nijinsky im Kost\u00fcm \u201eSpectre de la Rose\u201cHandschrift : Pablo Picasso, 1923\u00d6l auf Leinwand, 60 x 50 […]<\/p>","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3911","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/comments?post=3911"}],"version-history":[{"count":3,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3911\/revisions"}],"predecessor-version":[{"id":3970,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/3911\/revisions\/3970"}],"wp:attachment":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/media?parent=3911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Portrait of Ida Rubinstein
<\/strong>Artistic voice: Kees van Dongen, 1909, Paris
Oil on canvas, 46 x 37.5 cm<\/p>\n
Portrait of Igor Stravinsky
<\/strong>Artistic voice: Amedeo Modigliani, 1917, Paris
Oil on canvas, 72 x 55.5 cm<\/p>\n
Vaslav Nijinsky in \u2018Spectre de la Rose\u2019 Costume
<\/strong>Artistic voice: Pablo Picasso, 1923, Paris
Oil on canvas, 60 x 50 cm\u00a0<\/p>\n
Les F\u00e2cheux
<\/strong>Artistic voice: Georges Braque, 1923, Paris
Collage, 47 x 39.5 cm
_\u00a0<\/p>\n
Le Bal
<\/strong>Artistic voice: Giorgio de Chirico, 1929, Monte Carlo
Oil on canvas, 65 x 54 cm<\/p>\n