[et_pb_section fb_built=“1″ admin_label=“Seiten Titel“ _builder_version=“4.16″ use_background_color_gradient=“on“ background_color_gradient_direction=“15deg“ background_color_gradient_stops=“rgba(0,0,0,0.43) 0%|rgba(0,0,0,0) 100%“ background_color_gradient_start=“rgba(0,0,0,0.43)“ background_color_gradient_end=“rgba(0,0,0,0)“ background_image=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/06\/ISLAND-IN-THE-SUN-scaled.jpg“ background_position=“bottom_center“ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ custom_margin=“288px||0px||false|false“ custom_padding=“22px||20px|||“ global_colors_info=“{}“]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Section Grau“ _builder_version=“4.16″ background_color=“#000000″ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_toggle title=“Geschichte und Vorgeschichte“ open_toggle_text_color=“#ffffff“ open_toggle_background_color=“#000000″ closed_toggle_background_color=“#000000″ _builder_version=“4.16″ title_text_color=“#ffffff“ body_text_color=“#ffffff“ body_font_size=“16px“ closed_title_font_size_tablet=“14px“ closed_title_font_size_phone=““ closed_title_font_size_last_edited=“on|phone“ body_font_size_tablet=“14px“ body_font_size_phone=“14px“ body_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n
Prior to the mSE Kunsthalle, there was ZOTT Artspace, an international platform for contemporary art.\u00a0<\/p>\n
ZOTT Artspace was founded in 2014 by Christian Zott in Singapore. After the first exhibitions with international artists, a second exhibition space was founded in Sankt Kassian, 1,500 meters above sea level in the Italian Dolomites, called ZOTT Artspace Dolomites for estabilshed artists and newcomers. In 2017, ZOTT Artspace opened spacious project rooms in Munich's museum quater (ZOTT Artspace Munich), where meetings with artists took place, exhibitions were presented,and where events for the Kairos project were held.<\/p>\n
Since fall 2019, the mSE Kunsthalle in Unterammergau has become the central location for all art projects by Christian Zott.<\/p>\n
[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Sektion Wei\u00df“ module_id=“Sektion1″ _builder_version=“4.16″ background_color=“#ffffff“ width=“100%“ height=“100%“ custom_padding=“90px|0px|4px|0px||“ saved_tabs=“all“ global_colors_info=“{}“][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“498px“ custom_padding=“||0px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2025\/08\/DSC05725-Kopie.jpg“ alt=“Abbau der SICHTUNG 2023″ title_text=“DSC05725 – Kopie“ _builder_version=“4.27.4″ custom_margin=“||44px|||“ custom_padding=“||0px|||“ hover_enabled=“0″ border_color_top=“#ffffff“ border_width_bottom=“50px“ border_color_bottom=“#ffffff“ global_colors_info=“{}“ sticky_enabled=“0″][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.27.4″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ hover_enabled=“0″ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“ sticky_enabled=“0″]<\/p>\n
(Sommer 2025)<\/p>\n
Die Papierarbeiten der K\u00fcnstlerin und Kulturp\u00e4dagogin weisen den Entstehungsprozess als Schichtung beschriebener, bemalter, \u00fcberarbeiteter Lagen auf und erinnern an die Geschichte des Mediums Buch, das auch als auratisches Objekt an die Rezipienten herantritt.\u00a0<\/p>\n
To the exhibition<\/a><\/p>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“498px“ custom_padding=“||0px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2023\/05\/sichtung-iii-abbau-scaled.jpg“ alt=“Abbau der SICHTUNG 2023″ title_text=“sichtung iii abbau“ _builder_version=“4.16″ custom_margin=“||44px|||“ custom_padding=“||0px|||“ border_color_top=“#ffffff“ border_width_bottom=“50px“ border_color_bottom=“#ffffff“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (2022\u20132023)<\/p>\n The spactial and sound sculpture by Hildegard Rasthofer<\/strong> and Christian Neumaier<\/strong> in the sculpture garden of the mSE Kunsthalle brought together horizontal and vertical lines, suface and volume of Ammer Valley, alpine idyll and construction steel.<\/p>\n After a permanent permission for the artwork in Unterammergau was refused for the second time, the sculpture has been sold.<\/p>\n About the artwork<\/a><\/p>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“498px“ custom_padding=“||0px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2022\/12\/Passion-im-Tal-Logo.png“ _builder_version=“4.16″ custom_margin=“||44px|||“ custom_padding=“||0px|||“ border_color_top=“#ffffff“ border_width_bottom=“50px“ border_color_bottom=“#ffffff“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (from May 2022 to October 2022)<\/p>\n <\/span>With artworks by Lois Anvidalfarei<\/strong>, Ernst Barlach<\/strong>, Anna Bogouchevskaia<\/strong>, Felix Flesche<\/strong>, Veronika Kieslinger<\/strong>, Torsten M\u00fchlbach<\/strong>, Hans Panschar<\/strong>, Harry Rosenthal<\/strong>, Max Schmelcher<\/strong>, Sibylle Semlitsch<\/strong>, Norbert Tadeusz<\/strong> and Bruno Wank,<\/strong> a sculpture trail about the great themes of the Passion was installed between the church of Unterammergau and the mSE Kunsthalle.<\/p>\n To the sculpture trail<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“498px“ custom_padding=“||0px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2021\/06\/20210520_123517-scaled.jpg“ title_text=“Aufbau in Flossenb\u00fcrg“ _builder_version=“4.16″ custom_margin=“||44px|||“ custom_padding=“||0px|||“ border_color_top=“#ffffff“ border_width_bottom=“50px“ border_color_bottom=“#ffffff“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (from June 2021 to May 2022)<\/p>\n The KZ memorial in Flossenb\u00fcrg had installed the artwork by Hildegard Rasthofer<\/strong> and Christian Neumaier<\/strong> on its forth location as a space of thought for the visitors on a hill above the quarry of the former labour camp.<\/p>\n The sculpture received much attention in the Upper Palatine and was appreciated by residents and guests at this important historic site.<\/p>\n About the artwork<\/a><\/p>\n <\/span><\/p>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“498px“ custom_padding=“||0px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2022\/09\/Menschliche-Koerper-Bild.png“ _builder_version=“4.16″ custom_margin=“||44px|||“ custom_padding=“||0px|||“ border_color_top=“#ffffff“ border_width_bottom=“50px“ border_color_bottom=“#ffffff“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (2020)<\/p>\n In spring of 2020, the mSE Kunsthalle started a regional art contest. More than 100 participants sent in images of their works, some of which could be admired on our website.<\/p>\n The winning artworks by Monika Sup\u00e9<\/strong>, Klaus Soppe<\/strong> and Stefan Hauser<\/strong> were presented in a special exhibition in the Kunsthalle in Fall and Winter 2020.<\/p>\n To the contest<\/a><\/p>\n <\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“498px“ custom_padding=“||0px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/06\/mSE_CAMPUS_KUNSTHALLE_LARTOR_HIERONYMUS_SGistl_Mai2020_7-scaled.jpg“ title_text=“Maiwiese mit SICHTUNG“ _builder_version=“4.16″ custom_margin=“||44px|||“ custom_padding=“||0px|||“ border_color_top=“#ffffff“ border_width_bottom=“50px“ border_color_bottom=“#ffffff“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (from October 2019 to August 2020)<\/p>\n The spactial and sound sculpture by Hildegard Rasthofer<\/strong> and Christian Neumaier<\/strong> in the sculpture garden of the mSE Kunsthalle brought together horizontal and vertical lines, suface and volume of Ammer Valley, alpine idyll and construction steel.<\/p>\n The artwork caused the fist heated art controversy of the mSE Kunsthalle.<\/p>\n About the artwork<\/a><\/p>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“498px“ custom_padding=“||0px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/10\/Kunstforum-scaled-1.jpg“ title_text=“Kairos im Kunstforum Wien“ _builder_version=“4.16″ custom_margin=“||44px|||“ custom_padding=“||0px|||“ border_color_top=“#ffffff“ border_width_bottom=“50px“ border_color_bottom=“#ffffff“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (from September 4th, 2019 to September 21st, 2019)<\/p>\n At the Bank Austria Kunstforum Wien, KAIROS. The Right Moment<\/em> was presented to the public of the Austrian capital \u2013 with photographs by Mauro Fiorese<\/strong> and paintings by Wolfgang Beltracchi<\/strong>.\u00a0<\/p>\n In addition to the paintings he created for the Kairos exhibition in the artistic voices of the great masters of the past, Beltracchi presented ten new paintings in which he interprets and recontextualises motifs of the exhibition in the grand scheme of art history.<\/p>\n To the exhibition<\/a><\/span><\/p>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“498px“ custom_padding=“||2px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/10\/2019-07-18-SICHTUNG-II-scaled-1.jpg“ title_text=“Die SICHTUNG im Kreativ-Quartier“ _builder_version=“4.16″ min_height=“189px“ custom_margin=“||44px|||“ custom_padding=“||0px|||“ border_color_top=“#ffffff“ border_width_bottom=“50px“ border_color_bottom=“#ffffff“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||0px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (23.07.2019\u201304.10.2019)<\/p>\n In co\u00f6peration with Master Ateliers, ZOTT Artspace presented the spatial and sound sculpture SIGHTING II by Hildegard Rasthofer<\/strong> and Christian Neumaier<\/strong> as a temporary installation in Munich's Kreativquartier.<\/p>\n The sculpture is made of more than 70 tons of steel and has a square base of 2.4 m length. About the artwork<\/a><\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“498px“ custom_padding=“||2px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/11\/RickyGumbrechtBreakingWaves.jpg“ alt=“Ricky Gumbrecht; BRAKING WAVES (2018)“ title_text=“Ricky Gumbrecht; BRAKING WAVES (2018)“ _builder_version=“4.16″ min_height=“189px“ custom_margin=“||44px|||“ custom_padding=“||0px|||“ border_color_top=“#ffffff“ border_width_bottom=“50px“ border_color_bottom=“#ffffff“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||0px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (08.07.2019\u201302.08.2019)<\/p>\n Titled FORM COLOR MATTER PAINT. Paintings from California<\/em> ZOTT Artspace Munich presented artworks by Ricky Gumbrecht<\/strong> for the first time in Europe. In her collages and paintings between figuration and abstraction, she condenses forms and colours, layers and assonances to a sensual and subtle game.<\/p>\n Interview with the artist (German)<\/a><\/span><\/p>\n Ricky Gumbrecht, BRAKING WAVES, 2018;\u00a0Oil on wood panel, 16 x 16 inches, 40,5 x 40,5 cm;\u00a0(c) Ricky Gumbrecht<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“500px“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/10\/Das-blaue-Ding-564×680-1.jpg“ title_text=“%22Blaues Ding%22 (1994) von Max Dr\u00f6mmer (Ausschnitt)“ admin_label=“Bild“ _builder_version=“4.16″ width=“100%“ custom_padding=“|3px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||0px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (12.01.2019\u201308.02.2019)<\/p>\n The artist and philosopher Max Dr\u00f6mmer\u00a0<\/strong>presented his paintings and graphics from sixty years of creation under the titleBeauty<\/em> im ZOTT Artspace Munich.\u00a0\u2013 Kuratiert von Dr. Eva Karcher.<\/p>\n On the occasion of the exhibition, a seminar of the LMU examined the exhibition title from a philosophical point of view -- with Julian Nid-R\u00fcmelin, Martine Nida-R\u00fcmelin, Jakob Steinbrenner and others.<\/span><\/p>\n <\/span><\/p>\n Max Dr\u00f6mmer, BLAUES DING, 1994 (Ausschnitt);\u00a0Acryl auf Holz, 77 x 65 cm;\u00a0(c) Heybenaber\/Dr\u00f6mmer\/Nida-R\u00fcmelin<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“500px“ custom_padding=“||1px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/10\/KairosinHamburg.jpg“ title_text=“Beltracchi mit Sch\u00fclern in der Barlach Halle K“ admin_label=“Bild“ _builder_version=“4.16″ width=“100%“ custom_margin=“-14px|||||“ custom_padding=“10px|0px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (20.11.2018\u201313.01.2019)<\/p>\n KAIROS. The Right Moment<\/em> at the Barlach Halle K was accompanied by a project of the Wilhelm-Gymnasium Hamburg: Students trained to guide other -- mostly young -- people in small groups through the exhibition.<\/p>\n Beltracchi with students of the Wilhelm-Gymnasium; (c) H-J Ellerbrock<\/span><\/p>\n To the exhibition<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“500px“ custom_padding=“||1px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/10\/0001A.jpg“ title_text=“Franz, Mittler, Sandow, Shammout, Spielmann, Valerian“ admin_label=“Bild“ _builder_version=“4.16″ custom_padding=“|3px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“508px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (20.10.2018\u201315.11.2018)<\/p>\n Matthias Franz<\/strong>, Paul Mittler<\/strong>, Tim Sandow<\/strong>, Tallal Shammout<\/strong>, Katarina Spielmann<\/strong> and Antony Valerian<\/strong> from the class of Daniel Richter presented six unique creative positions at ZOTT Artspace Munich.<\/p>\n A co\u00f6peration with Evelyn Drewes Galerie, Hamburg, curated by G\u00fcnther Oberhollenzer<\/p>\n (c) Ivo von Renner (Ausschnitt)<\/span><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“500px“ custom_padding=“||2px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/10\/KairosinVenedig-scaled-1.jpg“ title_text=“Aufbau in der Biblioteca Marciana“ admin_label=“Bild“ _builder_version=“4.16″ custom_padding=“|0px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“396px“ custom_margin=“||52px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (05.10.2018\u201303.11.2018)<\/span><\/p>\n The opening of the exhibition KAIROS. The Right Moment<\/em> took place in Venice in 2018. The historic rooms of the Biblioteca Marciana at Saint Marc's Square were a spectacular setting for the journey through 2,000 years of European art with works by Wolfgang Beltracchi<\/strong> and Mauro Fiorese<\/strong>. The automnal high tide was successfully managed.<\/p>\n To the exhibition<\/a><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“500px“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/10\/LA_Grosser_weiblicher_Kopf_Bronze-1500px-820×608-1.jpg“ title_text=“%22Gro\u00dfer weiblicher Kopf%22 (2016\/17) von Lois Anvidalfarei“ admin_label=“Bild“ _builder_version=“4.16″ custom_padding=“|0px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“301px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n \u00a0(23.06.2018\u201307.07.2018)<\/span><\/p>\n ZOTT Artspace presented sculptures and drawings by Lois Anvidalfarei at Barlach Halle K in Hamburg. The exhibition united the most iportant works of the past five years, nudes, in which the artist recreated the human body in deliberate and unique compositions -- between finitude and infinity, limitation and limitlesness. Anvidalfareis body of work, in his tireless contemplation of the human body, bears an existential potential of salvation.<\/p>\n Lois Anvidalfarei, GROSSER WEIBLICHER KOPF, 2016\/17;\u00a0<\/span>Bronze, 69 x 123 x 144 cm, Ed. 5\/5<\/span><\/p>\n \u00a0<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“502px“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/10\/CL-Apresmois-820×547-1.jpg“ title_text=“%22Apr\u00e8s moi, le d\u00e9luge%22 (2014) von Cornelia Lochmann (Ausschnitt)“ admin_label=“Bild“ _builder_version=“4.16″ custom_padding=“|0px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“378px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n (21.01.2017\u201307.04.2017)<\/p>\n In co\u00f6peration with the Museion Bozen, ZOTT Artspace Dolomites presented two artists as a Museion Project Room: the painter Cornelia Lochmann<\/strong> und Videokunst aus dem Projekt \u00bbConversation pieces\u00ab der K\u00fcnstlerin Vera Comploj<\/strong> \u2013 under the title Phantasma<\/em>.<\/p>\n Curated by Letizia Ragaglia\u00a0<\/span><\/p>\n \u00a0Cornelia Lochmann, APRES MOI, LE DELUGE, 2014 (Ausschnitt);\u00a0<\/span>Acrylics and varnish on canvas, 200 x 300 cm<\/span><\/p>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“471px“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/10\/BM-DN-Aquila-486×680-1-1.jpg“ title_text=“%22Aquila%22 aus der Diamond-Nights-Serie von Beth Moon (Ausschnitt)“ admin_label=“Bild“ _builder_version=“4.16″ custom_padding=“|2px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“378px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|phone“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n The exhibition at ZOTT Artspace Dolomites presented two exceptional artists examining nature and culture: Lois Anvidalfarei<\/strong> as a recreator of the human body in bronze, and Beth Moon<\/strong> as an outstanding artistic photographer of nature with her series Diamond NIghts<\/em>.<\/p>\n \u00a0Beth Moon, AQUILA (Diamond-Nights-Serie); (c) Beth Moon (Ausschnitt)<\/span><\/p>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“471px“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/05\/meeaiom-M-RED-680×680-1.jpg“ title_text=“%22M-red%22 (2012) von Mee Ai Om “ admin_label=“Bild“ _builder_version=“4.16″ custom_padding=“|0px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“378px“ custom_margin=“||-1px||false|false“ custom_padding=“0px||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n Under its astronomic title, the exhibition at ZOTT Artspace Dolomites united various diverse art genres and artistic positions: Greta Alfaro<\/strong>, Sara Casal<\/strong>, Manfred D\u00f6rner<\/strong>, Hans-Joachim Ellerbrock<\/strong>, Alberto Fanelli<\/strong>, Matteo Lo Greco<\/strong>, Anne Herzbluth<\/strong>, Iyvonne Khoo<\/strong>, Tobias K\u00f6bsch<\/strong>, Hubert Kostner<\/strong>, Beth Moon<\/strong>, Mee Ai Om<\/strong>, Max Schmelcher<\/strong> and Konstantin Sotnikov<\/strong>.<\/p>\n Mee Ai Om, M-RED, 2012, oil on canvas, 150 x 150 cm; (c) Mee Ai Om<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“471px“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/11\/Dein-Eros-mein-Mohn.jpg“ title_text=“%22Dein Eros mein Mohn%22 (2006) von Hans-Joachim Ellerbrock (Ausschnitt)“ admin_label=“Bild“ _builder_version=“4.16″ custom_padding=“|0px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“378px“ custom_margin=“||-1px||false|false“ custom_padding=“0px||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n In October 2014, Singapore\u2019s cultural scene turned its attention to the photographic arts. As an addition to the international photography festival in Italy, the renowned \u201cMIA Photo Fair\u201d from Milan travelled to the Asian Metropolis. MIA&D Singapore exhibited photographs, video art and design from newcomers up to world-class photographers such as Annie Leibovitz and Steve McCurry. The ZOTT Artspace exhibition was announced in advance by the event organizer as especially worth seeing. The exhibition showed three photographic artists for the first time in the Asia-Pacific region: the American Beth Moon<\/strong>, the Italian Mauro Fiorese<\/strong> , and the German Hans-Joachim Ellerbrock<\/strong>. Their works were mentioned among others in Harper's Bazar.<\/p>\n Hans-Joachim Ellerbrock, DEIN EROS, MEIN MOHN, 2006, 75 x 120 cm (Detail)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“471px“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/11\/5d2cd8143c724376.jpg“ title_text=“%22De produndis%22 (2013) von Konstantin Sotnikov (Ausschnitt)“ admin_label=“Bild“ _builder_version=“4.16″ custom_padding=“|2px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“378px“ custom_margin=“||-1px||false|false“ custom_padding=“||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=““ text_font_size_last_edited=“on|phone“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|tablet“ global_colors_info=“{}“]<\/p>\n ZOTT Artspace showed the artist's paintings and sculptures in Singapore. On the large-format paintings, symbols and phantastical creatures from Eastern and Western culture inhabit ambiguous dream worlds. <\/p>\n Interview mit dem K\u00fcnstler<\/a><\/p>\n Konstantin Sotnikov, DE PROFUNDIS, 2013, \u00d6l auf Leinwand, 160 x 210 cm (Ausschnitt)<\/span><\/p>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_2,1_2″ _builder_version=“4.16″ min_height=“471px“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_image src=“https:\/\/www.mse-kunsthalle.de\/wp-content\/uploads\/2020\/11\/mmol-mf-01-680×680-1.jpg“ title_text=“%22Instinctive attraction, Verona%22 (2006) von Mauro Fiorese“ admin_label=“Bild“ _builder_version=“4.16″ custom_padding=“|0px||||“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_2″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ min_height=“378px“ custom_margin=“||-1px||false|false“ custom_padding=“0px||1px|||“ text_font_size_tablet=“14px“ text_font_size_phone=“14px“ text_font_size_last_edited=“on|tablet“ header_3_font_size_tablet=“20px“ header_3_font_size_phone=“18px“ header_3_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n Presented in the Casa di Giulietta, one of the world's most romantic hotspots, Mauro Fiorese<\/strong> and Christian Zott <\/strong>created an exhibition of photographs that illustrate the many different forms of love, in snapshots, and staged studio photographs. The exhibition was part of the eponymous book<\/a>.<\/p>\n \u00a0Mauro Fiorese, INSTINCTIVE ATTRACTION, VERONA, 2006, 89,5 x 89,5 cm<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ _module_preset=“default“ text_font_size=“10px“ global_colors_info=“{}“]<\/p>\n Header image: Ricky Gumbrecht, Island in the sun, 2009 (Detail)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" R\u00fcckblick auf die Ausstellungen der mSE Kunsthalle und von ZOTT Artspace in Unterammergau, M\u00fcnchen, Wien, Hamburg, Venedig, St. Kassian, Singapur und an anderen Orten.<\/p>","protected":false},"author":3,"featured_media":715,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-712","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/comments?post=712"}],"version-history":[{"count":68,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/712\/revisions"}],"predecessor-version":[{"id":4722,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/pages\/712\/revisions\/4722"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/media\/715"}],"wp:attachment":[{"href":"https:\/\/www.mse-kunsthalle.de\/en\/wp-json\/wp\/v2\/media?parent=712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}SIGHTING III<\/h3>\n
Valley of the Passion<\/h3>\n
SIGHTING IV<\/h3>\n
Der menschliche K\u00f6rper<\/h3>\n
SIGHTING III<\/h3>\n
KAIROS in Vienna<\/h3>\n
SIGHTING II<\/h3>\n
After the installation, the sculpture was errected under the title \"SIGHTING III\" in the sculpture garden of the
mSE Kunsthalle in Unterammergau.
<\/span>(c) Anne Wild (Ausschnitt)<\/span><\/p>\nFORM COLOR MATTER PAINT<\/h3>\n
Beauty<\/h3>\n
KAIROS in Hamburg<\/h3>\n
Was Malerei bedeuten kann #2<\/h3>\n
Kairos in Venice<\/h3>\n
Dieser K\u00f6rper, der nicht aufh\u00f6rt<\/h3>\n
Phantsma<\/h3>\n
Beth Moon & Lois Anvidalfarei<\/h3>\n
(21.01.2017\u201307.04.2017)<\/span><\/h1>\n
Pollux Capella<\/h3>\n
(2015)<\/span><\/h1>\n
MIA&D Singapore<\/h3>\n
(October 2014)<\/span><\/h1>\n
Konstantin Sotnikov<\/h3>\n
(2014)<\/span><\/h1>\n
Mindmap of Love<\/h3>\n
(2014)<\/span><\/h1>\n